The Garden of Eden in Art Scene
The Garden of Eden is described in the Book of Genesis as being the place where the first man, Adam, and his wife, Eve, lived after they were created by God. Literally, the Bible speaks about a garden in Eden (Gen. 2:8). This garden forms part of the Genesis creation narrative and theodicy of the Abrahamic religions, often being used to explain the origin of sin and mankind’s wrongdoings. The Archangel Uriel, with his flaming sword, is said to be guarding the Gate to the Garden of Eden.’
The Genesis creation narrative relates the geographical location of both Eden and the garden to four rivers (Pishon, Gihon, Tigris, Euphrates), and three regions (Havilah, Assyria, and Kush). There are hypotheses that place Eden at the headwaters of the Tigris and Euphrates (northern Mesopotamia), in Iraq (Mesopotamia), Africa, and the Persian Gulf. For many medieval writers, the image of the Garden of Eden also creates a location for human love and sexuality, often associated with the classic and medieval trope of the locus amoenus.