Category: Illustration Art
Victoria Francés (born October 25, 1982) is a Spanish illustrator.
Victoria Francés was born in Valencia on October 25, 1982, though she spent part of her childhood in Galicia. Later on, she returned to her hometown to earn her degree from the San Carlos School of Fine Arts, at the Polytechnic University of Valencia.
The first volume of the FAVOLE trilogy (Norma Editorial, 2004) was her first illustrated work to be published. Manifested throughout the entirety of the Favole trilogy (2004-2007) are themes emerging from Dark Romanticism, highly influenced by both the Pre-Raphaelite Brotherhood and well known works of Gothic art. Her work received a number of awards and achieved great success in countries where it was published.
Consequently, the American publishing house Dark Horse became interested in her work, and Francés has since then been published in North America, thus allowing her to increase her fan base. She made herself known at the XXII Barcelona Comic Convention, where she made her first public appearance and earned the respect of renowned authors. Calendars featuring her artwork, as well as other promotional merchandise such as posters, puzzles, tarot cards and stationery products have been made available to the public for purchase.
Despite the current effervescent nature of the Gothic movement, Victoria decided to experiment with different themes, and in 2007 the course of her artistic career took another direction with the publication of ARLENE’S HEART (El Corazón de Arlene) by Planeta DeAgostini. Within the pages of this book, the author mixes dreams with social reality.
In 2009, she reveals yet another change in her artistic register with the publication of the first volume in her MISTY CIRCUS series (Norma Editorial), an original collection of books based on the decadent world of the travelling circus, written especially for a younger audience. Near the end of that same year, DARK SANCTUARY was also published (Astiberri Ediciones), written in collaboration with Dark Sanctuary, a “Dark Atmospheric” band from France. The project, a fusion between music and illustration, aimed to reflect the poignant beauty of the shadows.
The second volume in the MISTY CIRCUS series is entitled THE NIGHT OF THE WITCHES (La Noche de las Brujas), published by Norma Editorial in 2010. The continuation of the story takes place on the night of Samhain, an ancestral celebration in the pagan culture.
In 2011, the Favole trilogy was re-edited in order to create one single volume entitled INTEGRAL FAVOLE (Norma Editorial), a compilation of the three books in addition to unpublished sketches and illustrations specially included in this edition. A year later, in 2012, OCEAN LAMENT (El Lamento del Océano) was published, in which the author features a listless, spectral mermaid as the main protagonist.
While working on her upcoming books, Victoria Francés was also busy creating individual licensed images for her merchandise, undertaking commissioned work and collaborating with other artists through various illustrations. One of the most noteworthy of these collaborative projects was the illustration “Hekate” which was specially made for the album entitled “Luna” for the German Pagan Folk band, Faun, and the full artwork for a new cd project entitled “Naked Harp” of the Pagan Folk band, Omnia.
At the end of 2014, Victoria presented her new project called MANDRAKMOORS, in collaboration with the South Korean bjd doll company, Fairyland. For this project, the author set out to combine both the work of new character design, specifically of characters related to the world of witchcraft and pagan traditions, with the subsequent creation of bjd dolls, in partnership with FairyLand.
Victoria Francés is currently completing her first piece for MANDRAKMOORS. The protagonist is Sionna Fómhar, the first character and bjd doll in the MandrakMoors universe. This work is scheduled to be released at the end of 2015.
born and bred poster, cowgirl posters, decorative art, Giclee Prints, Illustration Art, vintage art, vintage art posters, World Cultures
Renato Casaro 1935 in Treviso / Northern Italy.
At the age of 17 first commissions for cinema-decoration in change for free tickets.
At the age of 19 moving to Rome – 1 year of work as voluntary at Studio Favalli.
At the age of 21 opening of his own studio in Rome becoming the youngest movie-painter in Italy. First commissioned poster for the German movie Two Blue Eyes.
1965 first international success with the worldwide used keyart for Dino de Laurentiis’s The Bible and first billboard on Hollywood’s Sunset Boulevard.
In the following years working with the big names of the movie-scene: Leone, Lelouch, Coppola, Petersen, Bertolucci, Rosi, Besson and the Studios in LA.
From 1979 numerous exhibitions and awards like “Best Keyart“ 1988 in US for The Last emperor or in 1991 for Dances with Wolves, just to name a few.
1985 invitation to lecture Istituto Europeo di Design, Rome / Italy.
1988 Honorary citizen of his home town Treviso / Italy and holder of the medal Totila.
1988 Honorary member of the Advertising-Association, Venice / Italy.
1992 Holder of the Medal “The iron mask“ of the city of Turin-Pinerolo / Italy for 30 years of life for movies“.
Since 1988 first paintings of his cycle Painted Movies including Invitation, 100 Years of Film, Paradise View.
Since 1985 regularly educational trips in Americas West on horseback for the cycle Going West and to African countries as to study African Wildlife for his Cycle African Impressions.
Manga are comics created in Japan, or by creators in the Japanese language, conforming to a style developed in Japan in the late 19th century. They have a long and complex pre-history in earlier Japanese art. The term manga is a Japanese word referring both to comics and cartooning. “Manga” as a term used outside Japan refers specifically to comics originally published in Japan.
In Japan, people of all ages read manga. The medium includes works in a broad range of genres: action-adventure, business/commerce, comedy, detective, historical drama, horror, mystery, romance, science fiction and fantasy, sexuality, sports and games, and suspense, among others. Although this form of entertainment originated in Japan, many manga are translated into other languages, mainly English.
Since the 1950s, manga has steadily become a major part of the Japanese publishing industry, representing a ¥406 billion market in Japan in 2007 (approximately $3.6 billion) and ¥420 billion (approximately $5.5 billion) in 2009. Manga have also gained a significant worldwide audience. In Europe and the Middle East the market was worth $250 million in 2012. In 2008, in the U.S. and Canada, the manga market was valued at $175 million; the markets in France and the United States are about the same size. Manga stories are typically printed in black-and-white, although some full-color manga exist (e.g., Colorful).
In Japan, manga are usually serialized in large manga magazines, often containing many stories, each presented in a single episode to be continued in the next issue. If the series is successful, collected chapters may be republished in tankōbon volumes, frequently but not exclusively, paperback books. A manga artist (mangaka in Japanese) typically works with a few assistants in a small studio and is associated with a creative editor from a commercial publishing company. If a manga series is popular enough, it may be animated after or even during its run. Sometimes manga are drawn centering on previously existing live-action or animated films.
Manga-influenced comics, among original works, exist in other parts of the world, particularly in China, Hong Kong, Taiwan (“manhua”), and South Korea (“manhwa”). In France, “manfra” and “la nouvelle manga” have developed as forms of bande dessinée comics drawn in styles influenced by manga. The term OEL manga is often used to refer to comics or graphic novels created for a Western market in the English language, which draw inspiration from the “form of presentation and expression” found in manga.
decorative art prints, theme rooms, high voltage art print, ge feng artworks, figurative art prints, best sellers
decorative art, philips posters, philips radio, radio posters, vintage ads, vintage art
Illustration Art, philips radio, theme rooms, vintage art, Vintage Illustrations, vintage radio ads
Bettie Page (April 22, 1923 – December 11, 2008) was an American model who became famous in the 1950s for her fetish modeling and pin-up photos. She has often been called the “Queen of Pinups”. Her look, including her jet black hair, blue eyes and trademark bangs, has influenced many artists.
She was also “Miss January 1955” one of the earliest Playmates of the Month for Playboy magazine. “I think that she was a remarkable lady, an iconic figure in pop culture who influenced sexuality, taste in fashion, someone who had a tremendous impact on our society,” Playboy founder Hugh Hefner told the Associated Press.
Her later life was marked by depression, violent mood swings and several years in a state psychiatric hospital. In 1959, she converted to Christianity, and later worked for Billy Graham. After years of obscurity, she experienced a resurgence of popularity in the 1980s.
Born in Salt Lake City, Utah in 1953, Ken Bailey has painted most of his life andattendewd the University of Utah. In addition to being an artist, he has owned Bailey Nelson Gallery of Seattle, WA since 1987.
Cats and dogs are fantastic subjects. While they appeal to people who appreciate the graphic form and historical connotation, they also attract animal lovers who share an emotional connection. Ken Bailey uses cats and dogs as subject matter in his work for several reasons. He enjoys the variety of breeds from a technical standpoint, and finds them versatile subjects. However, his goal is not to paint a representational portrait, but to portray a deeper emotional connection that makes people laugh- reminding them of a loved friend.
In general, Bailey creates his work in three structures. The first is reminiscent of a vintage poster where the dog is the primary character. These pieces evoke the feeling of vintage advertising, and involve wit and humor. The second form contains the elements of dog dreams and fantasies. Usuallly two-part works, one section is representational of the animal while the other shows it doing something fantastic or unusual. Connected by thought bubbles, it is clear that the animal is dreaming of the extraordinary fantasy. The third structure is free form-depicting the dog by showing it in an act that summarizes his personality.
Cafe Decoration, decorative art, Illustration Art, masterprints, retro style art, teppaz record player, vintage art, Vintage Illustrations