Category: Hobbies and Leisure
How to decorate with a coffee house cafe theme in your kitchen is easy to learn and implement. If you love all the different types of coffees, or just simply love the feel of your favorite morning stop, you can have a room that is inspired from your passion.
Choosing the colors when you want to know how to decorate with a coffee house cafe theme in your kitchen can be based on what you already have. When decorating with this style, and if you can completely remodel your kitchen, you can choose your favorite. But if you are stuck with what you have, almost any color can be made to fit. The trick is in the accessories and the finishing touches.
The first step, if you are able to, is to get a small table and chair set that sits one to four people. A wrought iron one, with a glass top, that is usually used outside fits well in this style. Throw a couple of comfortable seat cushions on the chairs to make it practical. The only centerpiece that you need is a sugar and creamer tray set in the center. If you want an extra touch of elegance, place a single flower in a bud vase to complete the look.
Next, have a small shelf within easy reach of the sitting area. Place a few favorite poetry books or novels there for morning enjoyment. Don’t forget a place to set your favorite newspaper on.
Having a home bar can be fun. It is a wonderful place to spend time with your family or having friends over to relax and enjoy a few cocktails. To make the most of your home bar, you should take the time to decorate it in a way that truly reflects your personality while at the same time creating a fun and relaxing. Check out these decorating ideas bar to get some ideas on how to decorate your bar.
Before you even think to start decorating, you should take a moment to consider how you plan to use space and what your personal style is. Looking for a feeling sports bar? Or maybe you are more Class A, feeling more upscale. Think bars, restaurants and clubs you’ve visited and see which ones stand out in your mind. Once you understand the style you like to decorate your bar will become much easier.
One of the most important parts of a bar of the house is the living room. You want everyone to be comfortable and relaxed. Bar stool at the bar are great, but you should also consider adding some additional seats near the bar if space permits. Lounge chairs covered in zebra print pleasure or brightly colored fabric can provide an eclectic feeling in your room.
For a sports bar, a large comfortable sofa with lots of space is an interesting option to give a few extra seats. When you choose your seats for your bar trying to find parts that are relatively easy to get up. There’s nothing worse than drinking a glass or two and find that you have sunk down into a sofa upholstered as it is difficult to escape!
The artwork that you chose for the walls will also depend heavily on the atmosphere you are trying to create. Vintage posters or framed prints framed in Nice can be a class, so timeless to decorate the walls. If space is on the small side consider hanging around some mirrors visually expand the size of the space. Always try to hang pictures or mirrors approximately at eye level for the average person to avoid having it look like it is too high or too low.
Victoria Francés (born October 25, 1982) is a Spanish illustrator.
Victoria Francés was born in Valencia on October 25, 1982, though she spent part of her childhood in Galicia. Later on, she returned to her hometown to earn her degree from the San Carlos School of Fine Arts, at the Polytechnic University of Valencia.
The first volume of the FAVOLE trilogy (Norma Editorial, 2004) was her first illustrated work to be published. Manifested throughout the entirety of the Favole trilogy (2004-2007) are themes emerging from Dark Romanticism, highly influenced by both the Pre-Raphaelite Brotherhood and well known works of Gothic art. Her work received a number of awards and achieved great success in countries where it was published.
Consequently, the American publishing house Dark Horse became interested in her work, and Francés has since then been published in North America, thus allowing her to increase her fan base. She made herself known at the XXII Barcelona Comic Convention, where she made her first public appearance and earned the respect of renowned authors. Calendars featuring her artwork, as well as other promotional merchandise such as posters, puzzles, tarot cards and stationery products have been made available to the public for purchase.
Despite the current effervescent nature of the Gothic movement, Victoria decided to experiment with different themes, and in 2007 the course of her artistic career took another direction with the publication of ARLENE’S HEART (El Corazón de Arlene) by Planeta DeAgostini. Within the pages of this book, the author mixes dreams with social reality.
In 2009, she reveals yet another change in her artistic register with the publication of the first volume in her MISTY CIRCUS series (Norma Editorial), an original collection of books based on the decadent world of the travelling circus, written especially for a younger audience. Near the end of that same year, DARK SANCTUARY was also published (Astiberri Ediciones), written in collaboration with Dark Sanctuary, a “Dark Atmospheric” band from France. The project, a fusion between music and illustration, aimed to reflect the poignant beauty of the shadows.
The second volume in the MISTY CIRCUS series is entitled THE NIGHT OF THE WITCHES (La Noche de las Brujas), published by Norma Editorial in 2010. The continuation of the story takes place on the night of Samhain, an ancestral celebration in the pagan culture.
In 2011, the Favole trilogy was re-edited in order to create one single volume entitled INTEGRAL FAVOLE (Norma Editorial), a compilation of the three books in addition to unpublished sketches and illustrations specially included in this edition. A year later, in 2012, OCEAN LAMENT (El Lamento del Océano) was published, in which the author features a listless, spectral mermaid as the main protagonist.
While working on her upcoming books, Victoria Francés was also busy creating individual licensed images for her merchandise, undertaking commissioned work and collaborating with other artists through various illustrations. One of the most noteworthy of these collaborative projects was the illustration “Hekate” which was specially made for the album entitled “Luna” for the German Pagan Folk band, Faun, and the full artwork for a new cd project entitled “Naked Harp” of the Pagan Folk band, Omnia.
At the end of 2014, Victoria presented her new project called MANDRAKMOORS, in collaboration with the South Korean bjd doll company, Fairyland. For this project, the author set out to combine both the work of new character design, specifically of characters related to the world of witchcraft and pagan traditions, with the subsequent creation of bjd dolls, in partnership with FairyLand.
Victoria Francés is currently completing her first piece for MANDRAKMOORS. The protagonist is Sionna Fómhar, the first character and bjd doll in the MandrakMoors universe. This work is scheduled to be released at the end of 2015.
Home decor gets a dash of drama with movie posters. The trick is in picking the right one for the right space and customizing it for the interiors.
The fancy for movie posters as a statement of style in home decor is a relatively recent trend. In the home interiors segment, in which art continues to top customer wish-lists, movie posters are still considered niche territory. But there’s probably nothing more gratifying for the incorrigible movie fan — there’s a bit of him in all of us, anyway — than having the walls around mounted with posters of favourite films.
Wall Decoration and Movie Themes
Arriving at a theme for the rooms — from romance, mystery and such — can be a start to wall decoration. Posters of films that coincide with real-life phases can add that personal bit to the decor. You can also mix the movie posters up as a sequence — James Bond from different ages, for instance — or fix them together in a collage. All, needless to say, in tune with the basics of wall decoration and colour schemes of the room.
Classic Movie Posters
Posters of classic movies are eternal favourites, a testimony reflected in the rise in the number of online groups selling them. Casablanca, Gone With The Wind and Alfred Hitchcock thrillers continue to be good draws in the classic movie posters segment but you are doing up your place and it’s your pick that counts.
So the gangster genre fan in you can go for the classic split-on Scarface poster and the rom-com lovers have the now-legendary Pretty Woman poster. Again, the range is all out there and it’s for you to make the choice. Though the idea works on personalization, classic movie posters look better in the living room and it helps to innovate while picking and arranging the line-up of posters.
Presenting Movie Posters For Interiors
Vintage posters come with the advantage of never having to look “old” but it doesn’t work with all movie posters. That’s reason enough to focus more on ways to present them to accentuate the home’s interiors. The old, trusted wooden frames bring a certain elegance to the posters as you mount them on the walls. But it’s again important to customize; The Matrix wouldn’t look good in one, would it?
Wall decoration of the personal home theatre with movie posters can, in an understated way, enrich your movie-watching experience. The fancied back-lit poster box is still the best option in mounting movie posters, especially in home theatres. For the regular mounts, there are many available sizes — 24×36 and 20×20 among popular dimensions — to be picked according to the clarity of the image and the available wall space.
Identifying the right poster for the right space is critical. Quirks apart, it always makes sense to avoid The Fist Of Fury in the study and, the horror of horrors, Psycho in the bath.
Trish Biddle is published internationally, and is collected around the world. Born in Minneapolis, Minnesota, American artist Trish Biddle studied at the Dallas Institute of Art, before beginning her career as an illustrator and textile designer. Her process of drawing, painting and designing melded onto canvases, creating romantic images and her unmistakable Art Deco figurative paintings.
Her expertise in capturing nature and light creates richly colored, breath-taking canvases. With a well-defined style, broad, romantic strokes and vibrant color, Trish paints figurative, floral, fashion icons and children’s art. She travels the world and enjoys translating her experiences into oil on canvas.
Showcasing her sense of design, Trish captures the Art Deco style of fashion, elegance, sophistication and the simplicity of the era. Tamara De Lempicka who defined Art Deco painting as we know it, Argentinean tango dancers and depression era dance marathons have all inspired Trish’s vintage, figurative paintings. The faces are obscured purposely to allow the viewer to identify with the images of the graceful dancers their own romantic notions. Backgrounds are evidence of textile, ironwork and architectural designs extracted from her own designs and travels. Trish currently resides in Westlake Texas.
Trish Biddle paintings are in corporate and private collections around the world, and she has been published internationally by Encore Art Group – Win Devon, Canadian Art Prints, Portal. Her art is available at most major retailers including Bed Bath & Beyond, Wal-mart, Target, Tuesday Morning, Michaels, TJ Maxx, and e-tailer art.com. Trish has had over $1 million in retail sales and been commissioned by Hilton hotels, Churchill Downs, Westminster Kennel Club and Del Mar Thoroughbread Club. Actress Eva Longoria Parker is a fan of Trish’s work, and used her art for her charity, Padres Contra El Cancer in Los Angeles.
Famed throughout the ancient world for her outstanding beauty, queen Nefertiti remains one of the most well known of the queens of Egypt. Nefertiti was the Wife of Akhenaten during the Eighteenth Dynasty. She bore Akhenaten 6 daughters and no sons, and shared a near co-rulership with the king.
Fifteen years after her appointment to the position of Queen of Memphis, Nefertiti mysteriously disappeared. Egyptologists have assumed that this was either due to banishment or her death. However, little evidence suggests that she actually died. Similarly, speculation exists as to whether she was the obscure pharaoh Neferneferuaten.
Nefertiti was the chief wife (queen) of the Egyptian Pharaoh Amenhotep IV who took the name Akhenaten when he led a religious revolution which put the sun god Aten at the center of religious worship. Art from the time shows a close family relationship, with Nefertiti, Akhenaten, and their six daughters depicted more naturalistically, individualistically, and informally than in other eras. Images of Nefertiti also depict her taking an active role in the Aten cult.
What Happened to Nefertiti?
After about fourteen years, Nefertiti disappears from public view. Akhenaten was succeeded first by one Pharaoh, Smenkhkhare, usually described as his son-in-law, and then by another, Tutankhaten (who changed his name to Tutankhamen when the Aten cult was abandoned), who is also usually described as Akhenaten’s son-in-law.
One theory of Nefertiti’s disappearance is that she assumed a male identity and ruled under the name Smenkhkhare. In another theory, she was murdered as part of the return to the traditional Egyptian religious customs. Another is that she simply died.
As for Nefertiti’s origins, these too are debated by archaeologists and historians. She may have been a foreign princess from an area in what is now northern Iraq. She may have been the daughter of the previous Pharaoh, Amenhotep III, and his chief wife, Queen Tiy, in which case either Akhenaten (Amenhotep IV) was not the son of Amenhotep III, or Nefertiti married (as was a custom in Egypt) her brother or half-brother. Or, she may have been the daughter of Ay, who was a brother of Queen Tiy.
Richie Fahey and His Photography
New York City photographer Richie Fahey paints his pictures in a cold water flat, surrounded by his inspiration: a huge collection of paperbacks in 1930-1960s, mold and pulp detective. With the help of a manual fan of post-war oil Coloring Pictures for fun and profit, he learned to transform photos into black and white to glorious color by bubbling with pigments on snapshots of the 40s .
Technicolor-style lobby cards as Fahey mentioned in the houses of old movies, novels and covers portraits dimestore star fan magazines such as screen and Photoplay. In defining his style, Fahey was inspired by pictures in magazine posed detective, director of photography for the 1940’s-50 as John Alton, portrait photographers like George Hurrell, and as painters and illustrators and James Leeteg Avanti.
In creating his images, Fahey plays with the stereotype of black beautiful women that has gone wrong and the men who love them. He is meticulous stylistic detail. Convincing the artistic direction, combined with lighting techniques and hand coloring vintage combine to create attractive, ambiguous works. The inability of the viewer to identify the exact time when a photograph has been taken Fahey, lends a certain timelessness to work from the artist.
Fahey has created book covers for Penguin, Scribner, Warner Books, Vintage, ST. Martin’s Press, Knopf and Simon & Schuster. Other commercial clients include Sony Records, Adobe Theatre Co. and Design Spot. His clients have included Sports Illustrated editorial, GOTHAM, bust, atomic physics and magazines Flatiron. Fahey produced and co-designed the cover for James Bond novels reissued.
Fahey was presented in juxtaposing art review, camera art, Yellow Rat Bastard and GARAGE. His work has been presented to the Robin Rice Gallery in New York’s Greenwich Village and posters of his work are available for purchase online at VintageArte.com. His 2004 calendar pinup, women in crime watch, beautiful women caught secretly commit various crimes fun.
Fahey studied painting at the University of South Caroline and photography at the Rochester Institute Technology.
The fantasy art of Anne Stokes features striking designs and life like portrayals of fantasy subjects. Her art covers a broad range of themes, from the romantic and magical enchanted Forest, to the dark underworld of gothic vampires. Classical topics are reinvented with a strong design and impact, and new creatures are brought to life in a unique and eye catching manner.
Anne is originally from London but now lives in the north of England in Leeds, Yorkshire with her son Leo and partner John. She started her art career as a merchandise designer, designing tour merchandise for bands including Queen and the Rolling Stones.
Anne worked as a jewellery designer and sculptor producing ranges of jewellery items for Terry Pratchett’s Discworld and Harry Potter. Her T-shirts have been worn by many bands of note and her Skull Tattoo T-shirt design was picked as the outfit for Mike TV in Tim Burton’s film of Charlie and Chocolate factory. She then became a full time freelance illustrator where she worked on a number of book, game and record products, producing concept art and illustrations for Dungeons and Dragons.
As Anne’s art career progressed she moved solely into licensing her own creations and expanding the ranges of her fantasy themed paintings. Using symbolism within her pictures to convey meaning Anne’s artworks has been widely acclaimed. Working with Art Ask Agency her many paintings have been licensed on a wide range of products which are on sale worldwide, including T-shirts, posters, book covers, calendars, jigsaws, tarot cards, sculptures, mugs, jewellery and greetings cards. She continues to produce new works and has published several books.
The prime difficulty in most city planning until the 20th century was due to the fact that too few trained individuals had given specific thought to such problems as the regulation of traffic, control of the ingress of food stuffs, and the elimination of waste material. No one had considered the city as a greatly magnified human being which needed light, air, and exercise, as well as protection from the smoke and noise of the machine.
As cities simply grew, with the great concentration of population in the slums and with the advent of the skyscrapers, daily drawing their thousands of occupants from suburban areas, the problems of congestion and health control eventually forced the architects to think in terms of the efficiently planned metropolis. In the 20th century, a few enlightened industrialists also began to perceive that well-housed, healthy workers are a necessary part of the long-range planning for a stable industrial civilization.
In the America of the 1950s, it has been said, “each householder was able to have his own little Versailles along a cul-de-sac”. For the first time, many middle-class American families could afford to buy their own house, set in its own plot of land with an integrated garage.
The growth of suburban living brought with it a new lifestyle, in which leisure took on a new significance. A wide range of new domestic artefacts appeared as symboIs of this “affluent society”.
Desire for the new lifestyle goods was created and communicated by the mass media in magazine and television advertisements. As well as the readily available mass-produced additions to the household there was a growing tendency in interior decoration for householders to “do-it-yourself” to achieve a luxurious “modern” interior at a fraction of the price which it would cost to bring in an interior decorator.
The suburban “dream house” had its roots in Iate 19th-century America: Frank Lloyd Wright’s turn-of-the-century “Prairie” houses provided a model for later developers to emulate. By the early postwar years the “dream” had been made available to a new sector of the American populationý through improved methods of building cheap standardized, pre-fabricated houses and mortgage schemes provided for former members of the armed forces. A major justification for suburbia was the fact that it was safe for the children of the postwar baby boom. lncreased automobile ownership also helped to make suburban living a practical proposition.
The kitchen was the most important room in the suburban home of the 1950s as appliances began to take over from the automobile as the prime symbols of living in the modem age. The automatic washing-machine, the deep-freeze and the dishwasher were essentially products of the postwar era. They faciIitated living in the new settingý provided consumers with the latest technology in their own homes and filled the ever expanding space that constituted the kitchen area in the new suburban house.
Vivian Flasch truly has a love for painting and it shows! She is a much-published artist whose work is highly in demand worldwide. Vivian paints full time in her studio located in the lush green hills of Kentucky. She has always loved working in her flower garden and being surrounded by nature. She finds a special joy in reproducing the beauty of nature on canvas.
Vivian Flasch began painting as a hobby when her children were young and it has bloomed into a fulfilling career that has become more successful than she had ever dreamed. She paints in both oil and acrylic on canvas. She equally enjoys painting flowers, still life, landscapes, portraits and murals.
Her style varies from contemporary to traditional realism. Her work has been reproduced as prints, on hatboxes, night-lights, tapestries, note cards, needlework, puzzles, journals, albums and more. Her open edition prints are reproduced by Galaxy of Graphics and sold worldwide. She says it is truly a blessing to be successful doing something that she loves so much! Vivian paints from her heart to yours, and tucks a heart into each painting for you to find.