Tag: alfred gockel
Alfred Gockel, Alexander (he goes by Alex, but his name is “Alfred”) was born in the coal mining town Lüdinghausen, Germany in 1952. Gockel’s first work was published when he was only eight years. He wanted to become an engineer, but at the age of 16 Gockel started working in the coal mines in Germany. When the mining industry has slowed, many locals found themselves unemployed.
The struggle Gockel felt at that time continues to do his work of art today. “I like to touch the soul of the viewer with my colors,” says Gockel. “Often in my paintings I use elements that reflect my difficult past, when a boy, I worked in coal mines. But my goal is to express my joy of life, and show that we can overcome many obstacles through the expressions of the beauties of life. ”
After more than two years in the army, Gockel refocused its attention on the arts and in 1973 he enrolled at the Polytechnic Academy in Munster, Germany. Gockel studied art and design and learned the techniques of lithography and serigraphy. After graduation, Gockel teaches graphic design and typography at the Academy. In the early 1980s Gockel has decided to concentrate on his art full time. In 1983 he and his wife Ingrid founded an art publishing company, Art Before, a player currently ranked in the abstract segment of the market, with customers in over 50 countries worldwide.
From its humble beginnings, Gockel has become one of the most prolific distributors of posters of modern art in the world. According to some estimates, sales in more than 10 million worldwide, they can be seen in design studios and private and large companies in the world. Gockel, was commissioned by the U.S. Olympic Committee to create an official piece of artwork for the 2006 Olympics in Turin, Italy.
Gockel’s unique style – boldly colored abstract images doubled in thick black on a white canvas – has become his signature. “The art in both culture and the influences he imitates,” Gockel said. “I’m influenced by colors, symbols, textures, fibers and models used by different cultures around the world. ”
Still active in his “spare time” Gockel plays tennis, walks in the German forests with his two dogs, or riding Harley Davidson with his wife. They enjoy spending time at their favorite spot on the island of Sylt.
Alfred Alexander Gockel was born in the North Rhine city of Ludinhausen, Germany in 1952. From his earliest days, he was fascinated by the magic of colors on paper. This talent and enthusiasm resulted in the release of his first work of art by a German publisher at the age of 8.
In 1973 he began his studies in the field of design, with an emphasis on typography, graphic design and advertising. After graduating with honors at the Polytechnic Institute in Munster, Germany in 1977, Alex Gockel went on to lecture at the Institute about typography and graphic design.
After making a firm decision in 1980 to dedicate all of his time to painting, Gockel honed in on his skills and developed his identifiable, signature style known today. His work ranges from unique types of etching to serigraphy. In 1983 he established the art publishing firm of Avant Art, and since that time has taken part in important international art exhibitions.
Since 1987 the porcelain, carpet and sportswear industries have made use of his design work. The conversion of a mill purchased in 1988 and used as a centre of graphic printing (screen print etching) has expanded his artistic scope. As a result of international recognition, distribution points and studios were established in London and Connecticut in 1990.
With expressive use of rich, primary colors, Gockel has created and exceptional style that is undeniably unique. His fluid strokes on large white canvas backgrounds, done in the manner of “action painting” have a tremendous universal appeal. It is no wonder that over the last decade, well over 2 million examples of his imagery in various media have been sold in the U.S. art market alone. This incredible exposure has created a demand for this artist’s original works, spawning high profile collectors such as Michael Jordon, who now owns several Gockel paintings.
He currently resides in his native Germany, and in his spare time enjoys playing tennis, and riding his Harley-Davidson through the German countryside.
German artist Alfred Gockel has a unique abstract style featuring rich, bold colors, long, fluid brushstrokes, and intense movement. Gockel sold his first artwork to a German publisher when he was 8 years old, later studying typography, graphic design and advertising.
He became a full-time painter 22 years ago, creating daring, energetic works in his trademark style. His creative range spans etching to serigraphy, and his images have been used by the porcelain, carpet and sportswear industries.
This high-quality art print is expertly produced to capture the vivid color and exceptional detail of the original.
This art print displays sharp, vivid images with a high degree of color accuracy. A member of the versatile family of art prints, this high-quality reproduction represents the best of both worlds: quality and affordability. Art prints are created on paper similar to that of a postcard or greeting card using a digital or offset lithography press.
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Alfred Alexander Gockel (he goes by Alex but his given name is “Alfred”) was born in the coal mining town of Ludinghausen, Germany in 1952. Gockel’s first work was published when he was only eight years old. He planned to become an engineer but at the age of 16 Gockel began to work in the German coal mines. When the mining industry experienced a downturn, many of the town’s inhabitants were left without jobs.
The struggle that Gockel felt at this time continues to effect his artwork today. “I like to touch the viewer’s soul with my vibrant colors,” Gockel has said. “Often in my paintings I use elements that reflect my challenging past, when as a boy I worked in the coal mines. But my purpose is to express my joy in life, and to show that we can overcome many obstacles through the expressions of life’s beauties.”
After spending more than two years in the army, Gockel refocused his attention on the arts and in 1973, he enrolled at the Polytechnic Academy in Munster, Germany. There Gockel studied art and design and learned the techniques of lithography and silk-screening. Upon graduation, Gockel taught graphic design and typography at the academy. In the early 1980s Gockel decided to focus on his art full-time. In 1983 he and his wife Ingrid founded an art publishing company; Avant Art, today a top ranked player in the abstract segment of the market, with customers in more than 50 countries worldwide.
From his humble beginnings, Gockel has become one of the most prolific distributors of modern art posters in the world. Some estimates put sales at over 10 million worldwide, they can be seen in design studios and private and corporate businesses worldwide. Gockel, was commissioned by the United States Olympic committee to create an official piece of artwork for the 2006 Olympics in Turin, Italy.
Gockel’s unique style – boldly colored abstract images lined in thick black against a white canvas – has become his signature. “Art both influences culture and imitates it,” Gockel has said. “I am influenced by the colors, symbols, textures, fibers and designs used by different cultures around the world.”
Always active, in his “spare time” Gockel plays tennis, walks in the German forests with his two dogs, or rides Harley Davidson motorcycles with his wife. They enjoy spending time at their favorite spot at the island Sylt.
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Like man in the course of his personal existence, societies undergo a transformation of the mind or spirit, as well as of their outward appearance. The universe is a continuous creation, a bearing or ‘bringing forth’ in Biblical terms, and all its elements are subject, like the world, itself, to the great law of mutation or change. It might be said that history is only an analytical account of the transformation of mankind of which art is the direct and synthetical expression. The essence of successive societies is embodied in the divers forms of art which have been left to us over the centuries.
It is an explicit statement, complete in itself and in need of no commentary: for instance the XIIIth century can be read more easily in the statuary of Chartres cathedral than in the most learned history-books. The tedious, futile series of battles and political upheavals seems to have crawled out of the yellow press, when compared with those tangible witnesses we find in works of art. And what other conceivable evidence for the XIIIth century could there be, than those anonymous illustrations of the Scriptures, made by those sculptors and glass-makers who were as humble as they were effective?