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Home decor gets a dash of drama with movie posters. The trick is in picking the right one for the right space and customizing it for the interiors.
The fancy for movie posters as a statement of style in home decor is a relatively recent trend. In the home interiors segment, in which art continues to top customer wish-lists, movie posters are still considered niche territory. But there’s probably nothing more gratifying for the incorrigible movie fan — there’s a bit of him in all of us, anyway — than having the walls around mounted with posters of favourite films.
Wall Decoration and Movie Themes
Arriving at a theme for the rooms — from romance, mystery and such — can be a start to wall decoration. Posters of films that coincide with real-life phases can add that personal bit to the decor. You can also mix the movie posters up as a sequence — James Bond from different ages, for instance — or fix them together in a collage. All, needless to say, in tune with the basics of wall decoration and colour schemes of the room.
Classic Movie Posters
Posters of classic movies are eternal favourites, a testimony reflected in the rise in the number of online groups selling them. Casablanca, Gone With The Wind and Alfred Hitchcock thrillers continue to be good draws in the classic movie posters segment but you are doing up your place and it’s your pick that counts.
So the gangster genre fan in you can go for the classic split-on Scarface poster and the rom-com lovers have the now-legendary Pretty Woman poster. Again, the range is all out there and it’s for you to make the choice. Though the idea works on personalization, classic movie posters look better in the living room and it helps to innovate while picking and arranging the line-up of posters.
Presenting Movie Posters For Interiors
Vintage posters come with the advantage of never having to look “old” but it doesn’t work with all movie posters. That’s reason enough to focus more on ways to present them to accentuate the home’s interiors. The old, trusted wooden frames bring a certain elegance to the posters as you mount them on the walls. But it’s again important to customize; The Matrix wouldn’t look good in one, would it?
Wall decoration of the personal home theatre with movie posters can, in an understated way, enrich your movie-watching experience. The fancied back-lit poster box is still the best option in mounting movie posters, especially in home theatres. For the regular mounts, there are many available sizes — 24×36 and 20×20 among popular dimensions — to be picked according to the clarity of the image and the available wall space.
Identifying the right poster for the right space is critical. Quirks apart, it always makes sense to avoid The Fist Of Fury in the study and, the horror of horrors, Psycho in the bath.
Some 900 years ago an extraordinary occurrence took place on Market Day in the English midlands town of Coventry. Two monks at St. Albans Abbey in Hertfordshire first recorded this amazing story in Latin. Roger of Wendover wrote of it in the twelfth century and Mathew Paris in the early thirteenth century. As the Abbey stood at an important road junction, it would seem that the monks may have heard the story from travellers who were on their way from the Midlands to London.
The astonishing tale that has come down to us through the centuries, is that sometime in the eleventh-century a proud, pious lady rode through Coventry on Market Day completely naked, covered by nothing but her long hair!
Was this true? Apparently so! Who was this pious medieval streaker?
Lady Godiva was the lady, wife of Leofric, the Earl of Mercia. Earl Leofric was one of the all-powerful lords who ruled England under the Danish King Canute.
Joan Miró i Ferrà (April 20,1893 – December 25,1983) was a world renowned Spanish Catalan painter, sculptor, and ceramist who was born in the sea port city of Barcelona.
Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.
After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.
His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies.
From 1929-1930, Miró began to take interest in the object as such, in the form of collages. This was a practice which was to lead to his making of surrealist sculptures. His tormented monsters appeared during this decade, which gave way to the consolidation of his plastic vocabulary. He also experimented with many other artistic forms, such as engraving, lithography, water colors, pastels, and painting over copper. What is particularly highlighted from this period, are the two ceramic murals which he made for the UNESCO building in Paris (The Wall of the Moon and the Wall of the Sun, 1957-59).
It was at the end of the 60´s when his final period was marked and which lasted until his death. During this time, he concentrated more and more on monumental and public works. He was characterized by the body language and freshness with which he carried out his canvasses, as well as the special attention he paid to material and the stamp he received from informalism. He concentrated his interest on the symbol, not giving too much importance to the representing theme, but to the way the symbol emerged as the piece of work.
In 1976 the Joan Miró Foundation Centre of Contemporary Art Study was officially opened in the city of Barcelona and in 1979, four years before his death, he was named Doctor Honoris Causa by the University of Barcelona.
Trish grew up in Minnesota in the world of art along side her mother who enrolled her in every art class and contests in which she would usually come in second place. This made her work even harder. Then on her own, she moved to Dallas fresh out of high school and graduated from the Dallas Institute of Art.
Pursuing her artistic dream, she secured a job as a textile designer and a fashion illustrator for a clothing manufacturer. She later moved to the J.C. Penney home office in the design department. After several years in the corporate world, she decided that it wasn’t for her, so went to work as a freelance artist. She was signed by a textile agent in New York City and continued to freelance for several years.
In the summer of 1996 Trish’s beloved Grandmother passed away and Trish was given an old cigar box full of vintage photos. She took the next couple of years to reflect and be inspired by these photos and realized it was time to pursue her dream of being a full time painter. Trish was signed by her publisher Canadian Art Prints, Vancouver B.C. in 2003 and produced over 40 images currently being sold around the globe. Her prints are sold in retail outlets globally.
After years of persistence and overcoming obstacles Trish’s rewards are coming to fruition. Invited to be the Official Artist of the 2008 Kentucky Derby and Kentucky Oaks, and as the Official Artist of the 2009 Westminster Dog Show, she is now fulfilling her lifelong dream of being an important artist.
Trish’s paintings reflect the Art Deco era to such a convincing degree you can’t help but wonder how she transported herself to capture that lovely era. Her motto is to inspire others, especially girls and women, helping them reach their goals by setting a positive example.
Trish has given back to the community by contributing original artwork to charity which has been more rewarding then any amount of fame she says. The organizations include Girl Scouts, Make a Wish Foundation, Shining Stars, Arts Net, Young Artist’s of Texas, Greater Southlake Women’s Society, Southwest Transplant Foundation, Westlake Academy, Greater Southlake Women’s Society and GRACE donating paintings to help raise funds. Trish donated the original artist’s proofs of her winning Kentucky Derby designs to Girl Scouts for the live auction at their fundraiser, Derby Day at Lone Star Park.
Richie Fahey and His Photography
New York City photographer Richie Fahey paints his pictures in a cold water flat, surrounded by his inspiration: a huge collection of paperbacks in 1930-1960s, mold and pulp detective. With the help of a manual fan of post-war oil Coloring Pictures for fun and profit, he learned to transform photos into black and white to glorious color by bubbling with pigments on snapshots of the 40s .
Technicolor-style lobby cards as Fahey mentioned in the houses of old movies, novels and covers portraits dimestore star fan magazines such as screen and Photoplay. In defining his style, Fahey was inspired by pictures in magazine posed detective, director of photography for the 1940’s-50 as John Alton, portrait photographers like George Hurrell, and as painters and illustrators and James Leeteg Avanti.
In creating his images, Fahey plays with the stereotype of black beautiful women that has gone wrong and the men who love them. He is meticulous stylistic detail. Convincing the artistic direction, combined with lighting techniques and hand coloring vintage combine to create attractive, ambiguous works. The inability of the viewer to identify the exact time when a photograph has been taken Fahey, lends a certain timelessness to work from the artist.
Fahey has created book covers for Penguin, Scribner, Warner Books, Vintage, ST. Martin’s Press, Knopf and Simon & Schuster. Other commercial clients include Sony Records, Adobe Theatre Co. and Design Spot. His clients have included Sports Illustrated editorial, GOTHAM, bust, atomic physics and magazines Flatiron. Fahey produced and co-designed the cover for James Bond novels reissued.
Fahey was presented in juxtaposing art review, camera art, Yellow Rat Bastard and GARAGE. His work has been presented to the Robin Rice Gallery in New York’s Greenwich Village and posters of his work are available for purchase online at VintageArte.com. His 2004 calendar pinup, women in crime watch, beautiful women caught secretly commit various crimes fun.
Fahey studied painting at the University of South Caroline and photography at the Rochester Institute Technology.
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Taylor Alison Swift (born December 13, 1989) is an American country pop singer-songwriter, musician and actress.
In 2006, she released her debut single “Tim McGraw”, then her self-titled debut album, which was subsequently certified multi-platinum by the Recording Industry Association of America. In November 2008, Swift released her second album, Fearless, and the recording earned Swift four Grammy Awards, including the Album of the Year, at the 52nd Grammy Awards.
Fearless and Taylor Swift finished 2008 at number-three and number-six respectively, with sales of 2.1 and 1.5 million. Fearless topped the Billboard 200 for 11 non-consecutive weeks. Swift was named Artist of the Year by Billboard Magazine in 2009. Swift released her third album Speak Now on October 25, 2010 which sold 1,047,000 copies in its first week.
In 2008, her albums sold a combined four million copies, making her the best-selling musician of the year in the United States, according to Nielsen SoundScan. Forbes ranked Swift 2009’s 69th-most powerful celebrity with earnings of $18 million, 2010’s 12th-most powerful celebrity with earnings of $45 million and 2011’s 7th-most powerful celebrity with earnings of $45 million, too. Swift was ranked the 38th Best Artist of the 2000–10 decade by Billboard.
In January 2010 Nielsen SoundScan listed Swift as the most successful digital artist in music history with over 34.3 million digital tracks sold. On June 2011, renowned site The Boot named Swift and Carrie Underwood The Country Royalty, as they were the only female country artists to be ranked on Rolling Stone’s Queens of Pop list. As of March 2011[update], she has sold over 20 million albums and 34.3 million singles worldwide. She has been listed in the 2012 Guinness Book Of World Records as the Fastest Selling Digital Album by a Female Artist for her album Speak Now, and Most Simultaneous U.S. Hot 100 Hits by a Female Artist.
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Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences.
Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the “Habanera” from act 1 and the “Toreador Song” from act 2 are among the best known of all operatic arias.
The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen’s love to the glamorous toreador Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial.
After the premiere, most reviews were critical, and the French public was generally indifferent. Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883; thereafter it rapidly acquired popularity at home and abroad. Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera.
The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. After the composer’s death, the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet’s intentions. The opera has been recorded many times since the first acoustical recording in 1908, and the story has been the subject of many screen and stage adaptations.
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