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The Mystical Quality in Abstract Art

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The Mystical Quality in Abstract Art

Under this quality of visual excitement, support and renew it often runs a strong current of feeling close to religion. It may take the form of an ever new wonder-“The mystical quality of the object has always kept me spellbound,” Lyonel Feininger wrote. It may be admitted pantheism of Lee Gatch. It may be the mystical identification Ibram Lassaw self with the whole order of things: “Man is an integral part of the overall ecology of the universe and fulfills its function… with plants, animals, stars and galaxies I nature… ”

This widespread feeling that nature is a more convenient storage of forms, colors or symbols, it has ultimate significance in itself than the visible, but always mysterious manifestation of an eternal order, is reflected in the attitude of these artists for their art. Painting and sculpture, for them, are means to an end – the end being the exploration and revelation of the ultimate meaning that the limits that can be penetrated by reason and intuition.

Such an attitude is in direct opposition to the very exaltation of “the primacy of the environment”, which combines the spokesperson Sonya Rudikoff with abstract expressionism and even with the vanguard of all ages. While the relationship of the abstract expressionists in nature will be discussed later, it is interesting that an artist, Perle Fine, who was closely associated with them, writes: “When I got my studio in the country, and the wonder and grandeur of the natural world captivated me completely, I felt I must find new ways to express these things, “and his recent use of gold and silver in his paintings , was in response to this experience, rather than purely technical claims.

Finally, one can perhaps say that the work of those artists who are consciously and consist mainly with nature tends to be more objective than subjective, although these terms are slippery. In a sense, all art is subjective. Even the search for the essence is deeply involved in the response of the artist about it, “he is interested in what he” feels “about it and painted, therefore, that the result is often called abstract” , said Mark Tobey. At times, the answer seems much more important than what he does, and almost nothing to do with any inherent quality at its source.

When Louise Bourgeois created the garden at night, she was not at all concerned with gardens, but seeks to objectify experience recurrent mixed attraction and fear inspired by the dark mysterious hidden under the plants, even under a clear night sky. Nevertheless, the majority of this group of abstract artists to maintain a certain balance between the inherent nature of things and their own reactions to them.

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