Tag: Digital Art

Digital Poduction Techniques in Visual Media

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Digital Art: Woman in Cowboy Hat Dancing

The techniques of digital art are used extensively by the mainstream media in advertisements, and by film-makers to produce special effects. Desktop publishing has had a huge impact on the publishing world, although that is more related to graphic design. It is possible that general acceptance of the value of digital art will progress in much the same way as the increased acceptance of electronically produced music over the last three decades.

Digital art can be purely computer-generated (such as fractals and algorithmic art) or taken from other sources, such as a scanned photograph or an image drawn using vector graphics software using a mouse or graphics tablet.

Though technically the term may be applied to art done using other media or processes and merely scanned in, it is usually reserved for art that has been non-trivially modified by a computing process (such as a computer program, microcontroller or any electronic system capable of interpreting an input to create an output); digitized text data and raw audio and video recordings are not usually considered digital art in themselves, but can be part of the larger project of computer art and information art.

Artworks are considered digital painting when created in similar fashion to non-digital paintings but using software on a computer platform and digitally outputting the resulting image as painted on canvas.

Andy Warhol created digital art with the help of Amiga, Inc. in July 1985 when he publicly introduction at Lincoln Center Amiga paint software.

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Ruth Palmer: Influenced by Kandinsky and Manet

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Ruth Palmer: Influenced by Kandinsky and Manet

Spontaneity. With no pretense, or explanation, Ruth Palmer paints contemporary abstracts by feeling her way through the process and connecting to the soul of the subject, without concern for distinctions between representation and abstraction.

Born and raised in Edinburgh, Scotland, Palmer now resides in Calgary, Canada. While her primary influence is spiritual, based in Christianity; her art is also influenced by the richness of Manet’s impressionist works and what she deems the “colorful play and balance” of Kandinsky’s. Like Kandinsky, for whom spiritual influences counted heavily, there’s a certain intentional separation with Palmer’s art that allows viewers to participate in creating the artwork. The disunion is repaired when the painted form connects to the viewer’s soul.

Ruth’s works are extremely popular in print, particularly in the design market and hospitality industry. Her paintings and digital renderings can be enjoyed in many hotels and corporate offices worldwide. Recently Ruth was asked to create a collection for installation on one of Pullmantur’s new cruise ships and one of her best-selling pieces “Luscious Red” can be found in the new release of “The Spirituality Of Sex” by Wood Lake Publishing – a Canadian Christian Publisher.

Original paintings are currently in private collections throughout Canada, the United States, Australia, England and Scandinavia.

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A View of Pele, the Hawaiian Goddess of the Volcano

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A View of Pele, the Hawaiian Goddess of the Volcano

Described as “She-Who-Shapes-The-Sacred-Land” in ancient Hawaiian chants, the volcano goddess, Pele, was passionate, volatile, and capricious. In modern times, Pele has become the most visible of all the old gods and goddesses. Dwelling in the craters of the Big Island’s Kilauea Volcano, she has been sending ribbons of fiery lava down the mountainside and adding new land around the southeastern shore almost continuously since 1983.

Pele was born of the female spirit Haumea, or Hina, who, like all other important Hawai’i gods and goddesses, descended from the supreme beings, Papa, or Earth Mother, and Wakea, Sky Father. Pele was among the first voyagers to sail to Hawai’i, pursued, legends say, by her angry older sister, Na-maka-o-kaha’i because Pele had seduced her husband. Pele landed first on Kaua’i, but every time she thrust her o’o (digging stick) into the earth to dig a pit for her home, Na-maka-o-kaha’i, goddess of water and the sea, would flood the pits. Pele moved down the chain of islands in order of their geological formation, eventually landing on the Big Island’s Mauna Loa, which is considered the tallest mountain on earth when measured from its base at the bottom of the ocean.

Even Na-maka-o-kaha’i could not send the ocean’s waves high enough on Mauna Loa to drown Pele’s fires, so Pele established her home on its slopes. Here, she welcomed her brothers. A cliff on nearby Kilauea Mountain is sacred to her eldest brother, Ka-moho-ali’i, king of the sharks and the keeper of the gourd that held the water of life, which gave him the power to revive the dead. Out of respect for this brother, to this day, Pele never allows clouds of volcanic steam to touch his cliff.

A View of Pele, the Hawaiian Goddess of the Volcano

Her other brothers also still appear on the Big Island mountain; Kane-hekili as thunder, Ka-poho-i-kahi-ola as explosions, Ke-ua-a-kepo in showers of fire, and Ke-o-ahi-kama-kaua in spears of lava that escape from fissures during eruptions.

Of all her siblings, Pele favored her youngest sister Hi’iaka, the most. Pele, Hi’iaka and another sister, Laka, goddess of hula, were all patronesses of the dance, but Hi’iaka was said to have hatched from an egg that Pele kept warm during the long canoe ride to Hawai’i by transporting it in her armpit.

After Hi’iaka grew to womanhood on the Big Island, Pele traveled in spirit form to the north shore of Kaua’i to witness a dance performance at a pahula, or dance platform, that still exists near Ke’e Beach. Here she manifested herself as a desirable young woman, and quickly fell in love with a handsome young chief named Lohi’au. She dallied with Lohi’au for several days, but eventually her spirit had to return to her sleeping body on the Big Island.

Upon awakening, Pele sent Hi’iaka to convince Lohi’au to come to her. The sisters extracted vows from each other: Hi’iaka promised not to encourage Lohi’au should he become attracted to her and in return, Pele promised to contain her fires and lava flows so as not to burn a grove of flowering ohi’a trees where Hi’iaka danced with her friend Hopoe.

On Kaua’i, Hi’iaka found that Lohi’au had died of grief after Pele disappeared, but the graceful younger sister was able to restore his spirit to his body, bringing him back to life. Together, the two of them began the journey to the Big Island, but Pele’s suspicious nature got the best of her. Because forty days had passed since Hi’iaka had set out on her assigned mission, Pele decided she had been betrayed, and so sent a flood of lava into Hi’iaka’s ‘ohi’a-lehua grove, killing Hopoe in the process. When Hi’iaka saw the smoldering trees and her dancing friend entombed in lava, she flung herself into the arms of Lohi’au. In retribution, Pele set lose another stream of lava, which killed the mortal Lohi’au, but Hi’iaka, a goddess, could not be destroyed.

The legend has a happy ending, however, as yet another brother of Pele’s, Kane-milo-hai, reached out and caught Lohi’au’s spirit when he saw it floating past his canoe. He restored the spirit to Lohi’au’s body, and once again, the chief was brought back to life. Hi’iaka and Lohi’au returned to Kaua’i to live contentedly.

Legends about Pele, her rivals and her lovers abound. Most of the lovers she took were not lucky enough to escape with their lives when she hurled molten lava at them, trapping them in odd misshapen pillars of rock that dot volcanic fields to this day.

One lover who proved a match for Pele was Kamapua’a, a demi-god who hid the bristles that grew down his back by wearing a cape. The pig god could also appear as a plant or as various types of fish. He and Pele were at odds from the beginning; she covered the land with barren lava, he brought torrents of rain to extinguish her fires and called the wild boars to dig up the land, softening it so seeds could grow.

Pele and Kamapua’a raged against each other until her brothers begged her to give in, as they feared Kamapua’a’s storms would soak all the fire sticks and kill Pele’s power to restore fire. In Puna, at a place called Ka-lua-o-Pele, where the land seems torn up as if a great struggle had taken place, legend says Kamapua’a finally caught and ravaged Pele. The two remained tempestuous lovers, it is said, until a child was born, then Kamapua’a sailed away and Pele went back to her philandering ways.

Pele’s greatest rival was Poliahu, goddess of snow-capped mountains, and a beauty who, like Pele, seduced handsome mortal chiefs. Pele’s jealousy flamed after she had a fling with a fickle young Maui chief named ‘Ai-wohi-ku-pua, as he was traveling to the Big Island to court a mortal chiefess, Laie. Paddling along the Hana Coast, ‘Ai-wohi-ku-pua saw Pele in human form as a beauty named Hina-i-ka-malama, riding the surf.

He paused for a brief affair. Then he went on to the Big Island, where Poliahu seduced him. He convinced his personal goddess to release him from his promise to his first love, and went back to Kaua’i with the snow goddess. Pele (as Hina-i-ka-malama) chased after them, eventually winning back the fickle chief, but Poliahu was so vindictive, she blasted the lovers with cold and heat until they separated, and ‘Ai-wohi-ku-pua was left with no lover at all.

According to Hawaiian historian David Malo in his book “Hawaiian Antiquities,” in old Hawai’i, some gods and goddesses, including Pele, were believed to be akua noho, gods who talked. They could take possession of an earthly being, who became the god’s kahu. Malo writes, “The kahu of the Pele deities also were in the habit of dressing their hair in such a way as to make it stand out at great length, then, having inflamed and reddened their eyes, they went about begging for any articles they took a fancy to, making the threat, ‘If you don’t grant this request, Pele will devour you.’ Many people were imposed upon in this manner, fearing Pele might actually consume them.” Naturally, people who had seen others destroyed in Pele’s fiery lava flows, were terrorized by such a kahu.

Pele has continued to intrigue contemporary men. Not long after the old religion was abolished in 1819, the high chiefess Kapi’olani defied Pele by eating ‘ohelo berries at the edge of Halema’uma’u caldera without first offering them to or requesting Pele’s permission. In open defiance, Kapi’olani threw stones into the molten lava below. When she was not harmed, she insisted it proved Pele had no power and it was time for Hawaiian people to accept Christianity as their religion.

In 1823, when Reverend William Ellis became the first white man to visit Kilauea, most Hawaiians accompanying the expedition were still in awe of the volatile goddess. The hungry missionaries began to eat ‘ohelo berries, but were quickly warned to give Pele an offering. Ellis wrote, “We told them …that we acknowledged Jehovah as the only divine proprietor of the fruits of this earth, and felt thankful to Him for them, especially in our present circumstances.”…We traveled on, regretting that the natives should indulge in notions so superstitious.”

At the crater, the Hawaiian guides “turned their faces toward the place where the greatest quantity of smoke and vapor issued, and, breaking the (‘ohelo) branch they held in their hand in two, they threw one part down the precipice, saying:

E Pele, eia ka ‘ohelo ‘au;
(Oh, Pele, here are your branches)
e taumaha aku wau ‘ia ‘oe
(I offer some to you)
e ‘ai ho’i au tetahi
(some I also eat).

To this day, tales of Pele’s power and peculiarities continue. Whispered encounters with Pele include those of drivers who pick up an old woman dressed all in white accompanied by a little dog on roads in Kilauea National Park, only to look in the mirror to find the back seat empty. Pele’s face has mysteriously appeared in photographs of fiery eruptions, and most people who live in the islands-whether Christian, Buddhist, Shinto, or other-speak respectfully of the ancient goddess. After all, she has destroyed more than 100 structures on the Big Island since 1983, and perhaps even more awesome than that, she has added more than 70 acres of land to the island’s southeastern coastline.

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Ruth Palmer: Colorful Play and Balance

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Ruth Palmer: Colorful Play and Balance

Spontaneity. With no pretense, or explanation, Ruth Palmer paints contemporary abstracts by feeling her way through the process and connecting to the soul of the subject, without concern for distinctions between representation and abstraction.

Born and raised in Edinburgh, Scotland, Palmer now resides in Calgary, Canada. While her primary influence is spiritual, based in Christianity; her art is also influenced by the richness of Manet’s impressionist works and what she deems the “colorful play and balance” of Kandinsky’s. Like Kandinsky, for whom spiritual influences counted heavily, there’s a certain intentional separation with Palmer’s art that allows viewers to participate in creating the artwork. The disunion is repaired when the painted form connects to the viewer’s soul.

Ruth Palmer: Colorful Play and Balance

Ruth’s works are extremely popular in print, particularly in the design market and hospitality industry. Her paintings and digital renderings can be enjoyed in many hotels and corporate offices worldwide. Recently Ruth was asked to create a collection for installation on one of Pullmantur’s new cruise ships and one of her best-selling pieces “Luscious Red” can be found in the new release of “The Spirituality Of Sex” by Wood Lake Publishing – a Canadian Christian Publisher.

Original paintings are currently in private collections throughout Canada, the United States, Australia, England and Scandinavia.

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Abstract Circles: Silver Satellites

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Abstract Circles: Silver Satellites

We are no longer concerned with the abstract and ideal work of art, it seems that we may now reasonably appeal to those theories which we before found inadequate only because they did not account for the purely aesthetic qualities of artistic activity.

The play-impulse, the impulse to attract by pleasing, the imitative impulse, etc., although they give us no information as to the essentially artistic criterion, may nevertheless have called into existence works and manifestations which fulfil the requirements of the several art-forms.

Man may have composed dramas, may have painted pictures, may have made poems, in play, or out of the desire to please, or out of the inborn taste for mimicry. In particular the play-impulse must, as we have already admitted in the first part of this work, be dealt with as a factor of incalculable importance in the history of art.

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Grand Canal by Moonlight, Venice, Italy Art Print

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Grand Canal by Moonlight, Venice, Italy Art Print
Grand Canal by Moonlight, Venice, Italy Art Print by eyecandy
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Grand Canal by Moonlight, Venice, Italy Art Print

High resolution poster of the Grand Canal in Italy. Very romantic view by moonlight.

A beautiful, one-of-a-kind photochrom print of the Grand Canal by moonlight. The photochrom process was one of the earliest efforts at bringing color to photography. It used high quality color inks which were laid down on paper with multiple lithographic stones, creating a beautiful hand-colored rendering. An application of a varnish coat gave the print a lustrous quality and added a depth and richness often found in more modern color photographs.

These factors contributed to a unique and distinct print quality. This print would make an excellent gift for a friend, family member, or co-worker, or wall hanging for your private collection. It beckons a deep appreciation and warmness of times gone by.

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Gift Central: Loading… Please Wait… Tshirts

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Loading... Please Wait... Tshirt
Loading… Please Wait… by jsmusic
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Gift Central: Loading… Please Wait… Tshirt

Great for geeks and gamers!

Loading… Please Wait… would make a great gift for the computer savvy geek or gamer in your life. This item rules.

Comfortable, casual and loose fitting, our heavyweight t-shirt will quickly become one of your favorites. Made from 6.0 oz, pre-shrunk 100% cotton, it wears well on anyone. We’ve double-needle stitched the bottom and sleeve hems for extra durability. Imported.

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Gorilla Face Pop Art iPad Skin

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Gorilla Face Pop Art speckcase
Gorilla Face Pop Art by made_in_atlantis
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Gorilla Face Pop Art speckcase
Gorilla Face Pop Art by made_in_atlantis
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Gorilla Face Pop Art iPad Skin

Mountain Gorilla Face Pop Art

Gorilla Head Pop Art Digital Photography Artwork – Wild Animals Mountain Gorillas Pictures – Mountain Gorilla Face Close Look – Primates Artwork.

Speck® Fitted™Hard Shell iPad Case

Show off your signature style with an ultra-tailored Speck Products® brand case for your iPad. Combining luxury with uncompromised protection, this sleek hard plastic case is covered with an easy-to-grip fabric that is richly printed with your favorite design. The first of its kind to be offered anywhere, this lightweight and durable custom case allows optimal access to all sensors, ports, and controls on your iPad, while offering superior comfort in-hand.

Depth: 0.71 inches
Width: 7.7 inches
Height: 9.79 inches
Weight: 9.6 oz.

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Digital Art: Hip Hop Dancing

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Digital Art: Hip Hop Dancing

Cafe Decoration, College Art, college culture, dance and dancers, Digital Art, hip hop dancing, modern dancers

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Home Bar Decorating Ideas

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Digital Art: Bar Scene

Having a home bar might be a lot of fun. It is a wonderful place to spend time with your family or having friends over to the cold and bask in a few cocktails. To make the most of your bar, you have the time to embellish it in a way that truly reflects your personality while at the same time making it in a relaxed environment. Check out these ideas for decorating ideas for bar bar way to decorate your home bar.

Think of bars, restaurants and clubs you’ve been to see which of them stand out in your consciousness. When you’ve determined the style you love decorating your bar will be a ton easier.
One of the most vital parts of a bar of the house is the seat. Lounge chairs covered in zebra print pleasure or brightly colored fabric can provide an eclectic feeling in your room.

For a sports bar, a large comfortable sofa with masses of the room is a nice option to give a few extra seats. When you choose your seats for your home bar trying to find pieces that are relatively easy to get up. There’s nothing worse than drinking a glass or two and find that you have sunk down into a sofa upholstered as it is difficult to escape!

The artwork that you chose for the walls will also depend heavily on the atmosphere you are trying to create. Vintage posters or framed prints framed in Nice can be a class, so timeless to decorate the walls.

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